Hi All,
Mad summer thinking is here! Everybody goes on holiday…..and stops work or other….I’ve had a break doing house stuff-painting, repaired house etc.
Looking forward to Autumn-had one or two musical ideas and recorded them on handheld tape. Continuing with Electronic EP-have to alter some of the mixes when I get back to studio……working on third work today-few bars of drum sounds. Maybe the recent Perseid meteor showers will inspire some ideas, although the tracks for the EP are essentially Astro-Physics and Particle Physics related.
Looking forward to more results from the Large Hadron Colider to get yet more inspiration………..!
Cheers
PS
I have named a piece that I have written for my next EP Ophiuchus! It is 18m 38s long with undulating scenes and rythmns. Its been a labour of love and it is what it is! It is deliberately repetitive but has beautiful deep undercurrents of sounds with background inlaid notes!
Hi,
I have been in the Music industry for more than 20 years working in rock bands that took me to playing to 15,000 people at a time, to the sole composer as I am at the moment. The great change though came when I left the band and married and did family stuff! But that was not the end of it. I decided that Music was for me and that led me down ‘that’ path plus providence! The ‘Holy Grail’ of recording at home without the high cost of renting recording studio’s and getting the quality music out there through contacts etc.
Fifteen years ago, cash in hand I started to look for a computer and the problems started! PC’s then were in their infancy, and all the claims that were made about their ability in music recording terms were about as useful as a chocolate fireguard. After 3 custom made PC’s at £1000 every time, failures in reliable recording without regular crashing and glitching were ongoing. I became somewhat of an expert in all things PC, and was able to fix with time most faults whilst not writing music! I was using Cubase at the time and gradually upgraded to Nuendo 2. I thought that this final professional DAW would end my problems.
Then problems seemed to revolve around constant crashing or high latency with plug-ins etc. Further there were problems with the Cubase/Nuendo 2 not performing tasks correctly or locking up. These would especially be during working in the midi note edit page where dragging notes or selecting notes would lock up the PC. One that was never solved, was recording midi in time with the click, then on playback it would be time shifted by 0.25s-by the way not my playing! Whatever I did-offsets etc I never did solve it and I went over to Mac!
In more enlightened moments, I have wondered whether the PC processors/speed though powerful were just not fast enough for the programs and what was recommended. But then I ask why do the Mac’s work straight away out of the box? Can anyone answer this?
It must be 10 years later after working with PC’s I found out that the Apple Mac’s existed! It is only in the last 3 years, that I believed what I had been told by every musician worth his salt, that the ‘Apple Mac’ solution to music recording worked!’ Slowly in the past 2 years I have gradually migrated my whole studio to Apple Mac’s. It has been a steep learning curve-in some ways-new architecture-new procedures-but worth every penny of it, and wish I had not believed the Windows-PC evangelists brigade.
Looking back, if only I have spent the three grand on a decent Mac, and not on PC’s, I would still have the Mac and be working with it! I have looked at the quality of build, their speed and seeming robustness of the Operating System. Perhaps the wisdom of sometimes listening/researching all camps before taking the plunge and also cheaper is NOT always the cheapest option, long term! Time is precious, and I am sad about the time lost, but perhaps in other ways, I learnt a lot about PC’S.
Logic Pro had been recommended to me and the moment I started hammering it-it held up with whatever I threw at it-or was it the Apple Mac? Whatever the combination I have never looked back-Logic Pro Studio is great, and so is the Mac.
Currently I am writing an LP/EP and have laid down 3 tracks. I have invested in the Native Instruments Komplete 6 package and have used this as my main writing tool and find it fantastic. Most of the sounds have been drawn from this stable so far and the sound bank is so vast that this is all I might ever need. The tracks are Electronic in nature and the writing style.
I hope this little explanation of where I come from shows my hand well and helps in your journey.
Hi All,
I am glad to report that the continuing release of my albums continues with ‘Chthonic Netherworld’ on a wider scale. It is released in nearly 260 countries by BelieveDigital.
It contains Electronic Sytnth music created for Film & TV some of which has been released in America and elsewhere. Containing Sci-Fi backgrounds, Synth Leads and and Sc-Fi Pads it takes you to other worlds and through space to Alien Worlds. Your imagination can run riot-the music was partly created for Aliens operating on human beings!-aaaaarrrrrrrggggg-as part of a diploma in writing ‘Music for the Media’.
I take inspiration from many sources from Ian Boddy to Sc-Fi music and Films. The studio equipment used is the latest gear-Kore 2 and it’s many synthesizers to Propellor heads Reason. Hopefully people will get the benefit of the latest sounds taking them to the future!
Hear on www.itunes.com/paulstokes www.believedigital.com/artists/90126,paul-stokes-herbst.html or www.musiczeit.com/directory.php?artist=80&title=Paul+Stokes
Enjoy!
Cheers
Hi There,
I’m mixing tracks for the Electronic EP I’m doing. It has the highest number of track counts so far for this EP. It is an exploration of the future including spacey sounds and particle Physics level stuff-brilliant.
I released another album on march 3rd-Chthonic Netherworld. This is fully Electronic with synths using the excellant Kore 2 system with Komplete 6 set of Native Intruments series of Plugins. It is Space orientated with again melodic stuctures and a sense of exploration of the further reaches of the Universe-I loved writing it as it a particular interest area of mine aside other things. You will be able to get it off www.itunes.com/paulstokes and www.believe.fr/albums/52696.cosimc-renditions.html or hear it at it at: www.downloadplatform.com/paul_stokes and released in 260 countries-enjoy.
Cheers
Hi All,
I have been busy composing tracks for the forthcoming EP today. It is purely Electronic in feel working on the Kore 2 series of Synthesizers. Had a good bash at it today, working out Bass parts for the 2nd half of the track, although there is a more to go. The sound is spacey though up front in parts with a good synth lead sound that I have designed. Just as I was getting it deep, I had to give up due to the daughter ringing me for a lift
Having a night out with the 3 stooges (Ian Boddy, Marcus Howarth & me) tomorrow night!-a music seminar ending in the most important part-a curry!
Cheers
Paul
by Stokes-Herbst on October 4, 2009
in Music
Hi All,
I’d like to introduce you to Musiczeit.com who are purveyors of Hi Quality downloadable music. I now have posted 4 albums Cosmic Renditions, Storm, Chthonic Netherworld, and Easy Street up for download. The site claim to be the only one worldwide where you can download albums at full CD Lossless quality and 256K mp3 quality-here’s what they have to say:
“We all jumped for joy when CD came along, right? Great sound quality, no scratches, no messing about. So now what’s happening? Download music is everywhere, and CD is being put out to pasture. But wait, there’s a catch. Most download music is “lossy”. And this means inferior sound quality to CD. MP3, AAC, WMA. It’s all lossy.
We at MusicZeit.com believe you should have the best of both worlds. Instant download access to the music you want, but no loss of quality. That’s why all our albums are available in lossless CD quality as well as top-notch 256K MP3 if you want to listen to things “on the move”. And we don’t do individual tracks. Like you, we feel the music needs to be heard in context, as part of a full album or EP.
You don’t have to compromise in the digital download era. Let your kids get their “quick track fix” on other sites, while you download the full album, full artwork, in full CD quality, from MusicZeit.com
Full albums. Full artwork. Full CD quality. The only way.”
Perhaps they have a persuasive argument? As a composer of music and not spending a lot of hours listening, I’m not sure whether I can comment authoritatively . I swing between the thought that mp3 at the low end sample rate, is all that most people are interested in, and, that maybe those who can be bothered to buy music are more discerning than I think. Speaking personally, I was always interested in as high a quality of sound that I could get. This has carried over to my compositional side where I follow the ‘holy grail’ of top recording quality as standard. Does that make me a an audiophile?-I don’t think so in that I am thinking of the people that would be listening, and hoping that the high end quality that is available relatively easily makes the listening experience a joy-drawing scenes and pictures that only a few decades ago were unheard of.
Returning to musiczeit-good on you and I am sure that the idea will catch-on. You get full CD quality, artwork and at good rates…there is a market here!
Paul Stokes